Age of the Locust EP

by Rannoch

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about

The Age of the Locust EP is a companion piece to 2013's Between Two Worlds. The tracks contained within were pieces written during the same sessions as the debut album and revisited in 2015 for this EP release.

See the music video for "Age of the Locust" here:
youtu.be/4Jbq01HM-N8

credits

released September 14, 2015

"Age of the Locust EP" was recorded during 2015 at the Rannoch studios.

Produced by Ian Gillings

Track 2 - 5 Mixed by Ian Gillings and mastered by James Stephenson for Stymphalian Productions

Track 1 - Mixed and mastered by James Stephenson for Stymphalian Productions
www.stymphalianproductions.co.uk

Martin Walkyier vocal tracking by Jacqui Taylor.

All music written by Ian Gillings and Rannoch
All lyrics written by Ian Gillings
Porphyria based upon Robert Browning's "Porphyria's Lover" (1836)

Rannoch 2015
Ian Gillings - Guitars and vocals
Richard Page - Guitars
Paul Lloyd - Bass
Damian Powell - Drums


We offer thanks to these generous contributing artists:

Dual vocals on "100,000 Skulls" performed alongside Martin Walkyier and appears courtesy of himself.
www.theclandestined.com

Solo in "Heaven's Mirror" performed by James Stephenson and appears courtesy of The Black Stymphalian
theblackstymphalian.bandcamp.com

Layout and design by Kishor Haulenbeek
black-harvest.bandcamp.com


EMCD007
©2015 Eulogy Media Ltd.
℗2015 Eulogy Media Ltd.
www.eulogymedia.com
The copyright in this sound recording is owned by Rannoch,
reproduced exclusively under licence by Eulogy Media Ltd.
All rights of the producer and copyright owner reserved.
Unauthorised copying, re-recording, broadcasting, public
performance, hiring or rental for this recording in whatever
manner is strictly prohibited.

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about

Rannoch UK

West Midlands quartet RANNOCH offer a refreshing take on the progressive death metal subgenre with focused extremity, fastidious technical precision & rich songwriting skills. Swathes of ethereal clean vocals & acoustic guitars accompany sledgehammer brutality & savagely intense screams, echoing a sombre selection of lyrical influences from Lynch to Danielewski. ... more

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